Sermon for October 6th, 2024 - Revision history

Iraneal at 06:28, 6 October 2024

2024-10-06T06:28:20Z

Iraneal: /* Soli Deo Gloria: The Music & Message of Johann Sebastian Bach - Part III */

2024-10-06T06:26:11Z

‎Soli Deo Gloria: The Music & Message of Johann Sebastian Bach - Part III

Iraneal at 06:14, 6 October 2024

2024-10-06T06:14:28Z

Iraneal at 06:05, 6 October 2024

2024-10-06T06:05:54Z

Iraneal at 05:35, 6 October 2024

2024-10-06T05:35:34Z

Iraneal at 04:58, 6 October 2024

2024-10-06T04:58:21Z

Iraneal at 04:43, 6 October 2024

2024-10-06T04:43:38Z

Iraneal at 04:04, 6 October 2024

2024-10-06T04:04:18Z

Iraneal at 03:34, 6 October 2024

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Iraneal at 23:01, 5 October 2024

2024-10-05T23:01:28Z

@@ Line 33: / Line 33: @@
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]
-In Bach’s library, at the time of his death, there were several theology books, including all of Martin Luther’s works, and Luther’s three-volume translation of the Bible in German.  In that Bible, on almost every page, are scores of notes and comments in Bach’s own handwriting, and even corrections where the printer of the Bible had made errors that Bach caught, or places where Bach thought an older edition was better.  That’s how well he knew his Bible!  One of my favorite notes is the one he wrote in the margin next to 1st Chronicles 25–our first scripture reading today, the one that lists the leaders of worship in the tabernacle of ancient Israel, and all of their musical children (something I think Bach and I could both identify with).  Bach wrote next to that verse, “This chapter is the true foundation of all God-pleasing music.”
+In Bach’s library, at the time of his death, there were several theology books, including all of Martin Luther’s works, and Luther’s three-volume translation of the Bible in German.  In that Bible, on almost every page, are scores of notes and comments in Bach’s own handwriting, and even corrections where the printer of the Bible had made errors that Bach caught, or places where Bach thought an older edition was better.  That’s how well he knew his Bible!  One of my favorite notes is the one he wrote in the margin next to 1st Chronicles 25–our first scripture reading today, the one that lists the leaders of worship in the tabernacle of ancient Israel, and all of their musical children (something I think Bach and I could both identify with).  Bach wrote next to that verse, “This chapter is the true foundation of all God-pleasing music.”  I love that it’s a passage about families singing and playing together.
-−
-Here’s a note he wrote next to another passage about worship in Ancient Israel:  ”The aim and fundamental reason of all music is none other than to be to the glory of God and the recreation of the spirit.”
 Our final piece—and it is a grand finale in the truest sense—is called Fantasia in G.  Vanessa, who knows Bach’s music far better than I do, helped to pick most of the music for this series, and I want to read her explanation for this particular piece:

@@ Line 33: / Line 33: @@
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]
-In Bach’s library, at the time of his death, there were several theology books, including all of Martin Luther’s works, and Luther’s three-volume translation of the Bible in German.  In that Bible, on almost every page, are scores of notes and comments in Bach’s own handwriting, and even corrections where the printer of the Bible had made errors that Bach caught, or places where Bach thought an older translation was better.  That’s how well he knew his Bible!  One of my favorite notes is the one he wrote in the margin next to 1st Chronicles 25–our first scripture reading today, the one that lists the leaders of worship the tabernacle of ancient Israel, and all of their musical children (something I think Bach and I could both identify with).  Bach wrote next to that verse, “This chapter is the true foundation of all God-pleasing music.”
+In Bach’s library, at the time of his death, there were several theology books, including all of Martin Luther’s works, and Luther’s three-volume translation of the Bible in German.  In that Bible, on almost every page, are scores of notes and comments in Bach’s own handwriting, and even corrections where the printer of the Bible had made errors that Bach caught, or places where Bach thought an older edition was better.  That’s how well he knew his Bible!  One of my favorite notes is the one he wrote in the margin next to 1st Chronicles 25–our first scripture reading today, the one that lists the leaders of worship in the tabernacle of ancient Israel, and all of their musical children (something I think Bach and I could both identify with).  Bach wrote next to that verse, “This chapter is the true foundation of all God-pleasing music.”
 Here’s a note he wrote next to another passage about worship in Ancient Israel:  ”The aim and fundamental reason of all music is none other than to be to the glory of God and the recreation of the spirit.”

@@ Line 45: / Line 45: @@
 I want to end the series with two things:  First, with some words from Bach’s most famous biographer, Albert Schweitzer (who was a famous theologian, musician and missionary doctor in his own right).  Then second, with a challenge to us that is inherent in Bach’s music and message.  But first, Scwheitzer, who writes that “Music is an act of worship with Bach.  His artistic activity and his personality are both based on his piety.  If he is to be understood from any standpoint at all, it is from this.  For him, art was religion, and so had no concern with the world or with worldly success.  It was an end in itself.  Bach includes religion in the definition of art in general.  All great art, even secular, is in itself religious in his eyes; for him the tones do not perish, but ascend to God like praise too deep for utterance.”
-And here’s my challenge:  Bach is, according to many (if not most), the greatest musician and composer in history.  It seems pretty clear to me that his greatness, his passion, his inspiration, his excellence, and his humility—all spring directly from one source:  His faith in God, his devotion to his savior, and his love of his neighbor (which are all, essentially the same thing).
+And here’s my challenge:  Bach is, according to many (if not most), the greatest musician and composer in history, although he certainly didn’t think of himself that way.  It seems pretty clear to me that his greatness, his passion, his inspiration, his excellence, and his humility—all spring directly from one source:  His faith in God, his devotion to his savior, and his love of his neighbor (which are all, essentially the same thing).
-So… What’s your source? What’s your inspiration? Where does your passion come from?
+So… What’s your source? What’s your inspiration? Where does your passion come from? Is it something small and finite?  Something that will not sustain you through a lifetime, or that will not last long after you are gone?  Because if that’s the case, I have some good news:  The God who smiled upon Johann Sebastian Bach is the same God who smiles upon you, who loves you and is calling you into a deeper knowledge of him.  And the more you grow into that relationship, the more your music, your talent, your God-given calling will shine for all the world to see.   Of course, when it does, you might do well to give credit where credit is due:  Soli Deo Gloria.  Glory to God alone.

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 When Bach sat down to write music, he would often begin by writing two words across the top of the blank page: Jesu Juva.  It’s Latin for “Jesus help me.”  This is, of course, the prayer of all students writing papers, staring at the blank page.  But Bach took the time to spell it out in writing, and he kept doing this throughout his life, long after his student days, when no one doubted his ability to compose excellent music.  Jesus, help me.  And when Jesus did help him, when the piece was complete, he would give the credit back to God, writing at the bottom of the musical score the words, Soli Dei Gloria, which is Latin for “Glory to God Alone.”
-Where does that kind of faithful devotion to God come from?  For Bach, I think a lot of it came from a lifetime of careful study of the Bible, the scriptures of the Old and New Testament.  When Bach was appointed as the music director St. Thomas church in Leipzig, he formed an ambitious plan to compose a cantata (a piece meant for singing) for every Sunday and every Holiday of the church calendar.  And in Germany at the time, the church was on a five year liturgical calendar, so that would have been around 300 cantatas, each one in several movements, and each movement based on a scripture verse for the particular day.
+Where does that kind of faithful devotion to God come from?  For Bach, I think a lot of it came from a lifetime of careful study of the Bible, the scriptures of the Old and New Testament.  When Bach was appointed as the music director St. Thomas church in Leipzig, he formed an ambitious plan to compose a cantata (a piece meant for singing) for every Sunday and every Holiday of the church calendar.  And in Germany at the time, the church was on a five year liturgical calendar, so that would have been around 300 cantatas, each one in several movements, and each movement based on the scripture passages for the particular day.
 The piece we’re going to hear next (and I’m very happy that Kris Boyea is joining us to sing it) is based on one small verse from the Magnificat—the prayer of Mary when she greets her cousin Elizabeth in the first chapter of Luke.  The text in Latin, is simply “ Et exultavit spiritus meus
-in Deo salutari meo.” (and my spirit rejoices in God my Savior).  Bach only completed about 2/3rds of his planned cantatas, but in this slow and painstaking way, he covered large portions of the Bible, sometimes one small verse at a time.
+in Deo salutari meo.” (and my spirit rejoices in God my Savior).  Bach only completed about 2/3rds of his planned cantatas, but in this slow and painstaking way, he composed music for large portions of the Bible, sometimes one small verse at a time.
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]
-*Bach’s Library:  Luther’s works, and acquired at 48 years old the three volume Bible (Luther’s translation) with commentary, which he emended.
+Our final piece—and it is a grand finale in the truest sense—is called Fantasia in G.  Vanessa, who knows Bach’s music far better than I do, helped to pick most of the music for this series, and I want to read her explanation for this particular piece:
-*Bach’s comment on 1 Chronicles 25: “NB: This chapter is the true foundation of all God-pleasing music.“
 *[https://www.youtube.com/watch?v=-_Nu2cDYvUQ Fantasia in G]
-*Bach’s credo:  ”The aim and fundamental reason of all music is none other than to be to the glory of God and the recreation of the spirit.”
+I want to end the series with two things:  First, with some words from Bach’s most famous biographer, Albert Schweitzer (who was a famous theologian, musician and missionary doctor in his own right).  Then second, with a challenge to us that is inherent in Bach’s music and message.  But first, Scwheitzer, who writes that “Music is an act of worship with Bach.  His artistic activity and his personality are both based on his piety.  If he is to be understood from any standpoint at all, it is from this.  For him, art was religion, and so had no concern with the world or with worldly success.  It was an end in itself.  Bach includes religion in the definition of art in general.  All great art, even secular, is in itself religious in his eyes; for him the tones do not perish, but ascend to God like praise too deep for utterance.”
-*Vanessa:  “My idea to include this one was to highlight Bach’s creativity, and over the last part showcase his chromaticism.  There are a lot of scriptural passages that relate to creativity [and the] works of man.  I believe that when man is at his purest state, most at peace with God and his surroundings, that creativity is more natural and flowing. Bach must have felt secure not only in his work posting, but had the time and inclination to write other works that weren’t necessarily liturgical in nature . . . exploring the full use of the instruments he was working with and the limits of 18th century tonality.”
+And here’s my challenge:  Bach is, according to many (if not most), the greatest musician and composer in history.  It seems pretty clear to me that his greatness, his passion, his inspiration, his excellence, and his humility—all spring directly from one source:  His faith in God, his devotion to his savior, and his love of his neighbor (which are all, essentially the same thing).
-*Albert Schweitzer:  “Music is an act of worship with Bach.  His artistic activity and his personality are both based on his piety.  If he is to be understood from any standpoint at all, it is from this.  For him, art was religion, and so had no concern with the world or with worldly success.  It was an end in itself.  Bach includes religion in the definition of art in general.  All great art, even secular, is in itself religious in his eyes; for him the tones do not perish, but ascend to God like praise too deep for utterance.”
+So… What’s your source? What’s your inspiration? Where does your passion come from?

@@ Line 25: / Line 25: @@
 When Bach sat down to write music, he would often begin by writing two words across the top of the blank page: Jesu Juva.  It’s Latin for “Jesus help me.”  This is, of course, the prayer of all students writing papers, staring at the blank page.  But Bach took the time to spell it out in writing, and he kept doing this throughout his life, long after his student days, when no one doubted his ability to compose excellent music.  Jesus, help me.  And when Jesus did help him, when the piece was complete, he would give the credit back to God, writing at the bottom of the musical score the words, Soli Dei Gloria, which is Latin for “Glory to God Alone.”
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]
 *Bach’s Library:  Luther’s works, and acquired at 48 years old the three volume Bible (Luther’s translation) with commentary, which he emended.

@@ Line 10: / Line 10: @@
 The piece that Vanessa is about to play for us is called in German, “Ich Ruf Zu Dir, Herr Jesu,” or in English, “I Call to Thee, Lord Jesus.”  Like many of Bach’s chorales, the song is based on an old Lutheran hymn.  Before we listen to it, I want to read to you the words to that hymn—Bach himself did not compose the words (and I’m reading from an English translation of them) but he did make the words come to life with his music.  In order to do that well, he had to understand them, embrace them, and inhabit them:
-  I call to thee, Lord Jesus Christ, O hear my sore complaining!
+  I call to thee, Lord Jesus Christ,
-  In thy good time unto me list, thine ear to me inclining.
+ O hear my sore complaining!
-  True faith in thee, O Lord I seek; O make me now and wholly
+  In thy good time unto me list,
   Love thee solely,
-  my neighbor hold as self, and keep thy word e’er holy
+  my neighbor hold as self,
 *[https://www.youtube.com/watch?v=XPpMf3f9F2w Ich Ruf Zu Dir, Herr Jesu]
-*Orgelbuchlein (Little Organ Book):  “For the glory of the most high God, and for the instruction of my neighbor.”
+The last lines of that text—to love God solely, and to hold my neighbor as myself—these are a reflection of what Jesus called the greatest commandments, the foundation upon which all faith is built.  For Johann Sebastian Bach, though, it wasn’t just someone else’s words set to music.  When he wrote a textbook for organists called Orgelbuchlein (the Little Organ Book), he inscribed it with the same sentiment:  “For the glory of the most high God, and for the instruction of my neighbor.”
-*Jesu Juva + Soli Dei Gloria
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]

@@ Line 1: / Line 1: @@
-==Romans 11:33-36==
+==1 Chronicles 25:1-8==
-O the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways! 34For who has known the mind of the Lord? Or who has been his counselor? Or who has given a gift to him, to receive a gift in return? 36For from him and through him and to him are all things. To him be the glory forever. Amen.
+David and the officers of the army also set apart for the service the sons of Asaph, and of Heman, and of Jeduthun, who should prophesy with lyres, harps, and cymbals. The list of those who did the work and of their duties was: 2 Of the sons of Asaph: Zaccur, Joseph, Nethaniah, and Asarelah, sons of Asaph, under the direction of Asaph, who prophesied under the direction of the king. 3 Of Jeduthun, the sons of Jeduthun: Gedaliah, Zeri, Jeshaiah, Shimei, Hashabiah, and Mattithiah, six, under the direction of their father Jeduthun, who prophesied with the lyre in thanksgiving and praise to the Lord. 4 Of Heman, the sons of Heman: Bukkiah, Mattaniah, Uzziel, Shebuel, and Jerimoth, Hananiah, Hanani, Eliathah, Giddalti, and Romamti-ezer, Joshbekashah, Mallothi, Hothir, Mahazioth. 5 All these were the sons of Heman the king’s seer, according to the promise of God to exalt him, for God had given Heman fourteen sons and three daughters. 6 They were all under the direction of their father for the music in the house of the Lord with cymbals, harps, and lyres for the service of the house of God. Asaph, Jeduthun, and Heman were under the order of the king. 7 They and their kindred, who were trained in singing to the Lord, all of whom were skillful, numbered two hundred eighty-eight. 8 And they cast lots for their duties, small and great, teacher and pupil alike.
 ==Luke 1:46-50==
@@ Line 8: / Line 11: @@
 *[https://www.youtube.com/watch?v=XPpMf3f9F2w Ich Ruf Zu Dir, Herr Jesu]
 *[https://www.youtube.com/watch?v=-_Nu2cDYvUQ Fantasia in G]
 *[https://www.youtube.com/watch?v=1ZVZB_EZlu8 Et Exultavit Spiritus Meus]

← Older revision		Revision as of 23:01, 5 October 2024
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	33 O the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways! 34For who has known the mind of the Lord? Or who has been his counselor? Or who has given a gift to him, to receive a gift in return? 36For from him and through him and to him are all things. To him be the glory forever. Amen.		33 O the depth of the riches and wisdom and knowledge of God! How unsearchable are his judgments and how inscrutable his ways! 34For who has known the mind of the Lord? Or who has been his counselor? Or who has given a gift to him, to receive a gift in return? 36For from him and through him and to him are all things. To him be the glory forever. Amen.

		+	==Luke 1:46-50==
		+	46 And Mary said, “My soul magnifies the Lord, 47 and my spirit rejoices in God my Savior, 48 for he has looked with favor on the lowly state of his servant. Surely from now on all generations will call me blessed, 49 for the Mighty One has done great things for me, and holy is his name; 50 indeed, his mercy is for those who fear him from generation to generation.”

		+	==Soli Deo Gloria: The Music & Message of Johann Sebastian Bach - Part III==

	*[https://www.youtube.com/watch?v=XPpMf3f9F2w Ich Ruf Zu Dir, Herr Jesu]		*[https://www.youtube.com/watch?v=XPpMf3f9F2w Ich Ruf Zu Dir, Herr Jesu]