Difference between revisions of "Sermon for September 25th, 2016"
Line 3: | Line 3: | ||
there we sat down and there we wept | there we sat down and there we wept | ||
when we remembered Zion. | when we remembered Zion. | ||
− | 2 On the willows | + | 2 On the willows there |
we hung up our harps. | we hung up our harps. | ||
3 For there our captors | 3 For there our captors | ||
Line 21: | Line 21: | ||
how they said, “Tear it down! Tear it down! | how they said, “Tear it down! Tear it down! | ||
Down to its foundations!” | Down to its foundations!” | ||
− | 8 O daughter Babylon, you devastator! | + | 8 O daughter Babylon, you devastator! |
Happy shall they be who pay you back | Happy shall they be who pay you back | ||
what you have done to us! | what you have done to us! | ||
Line 29: | Line 29: | ||
==Selah: Ancient Songs Our Souls Still Sing== | ==Selah: Ancient Songs Our Souls Still Sing== | ||
Up to this point, we've been looking at favorite, well-loved and well-known psalms that provide comfort and inspiration to our souls. Psalm 137 is not, at first glance, one of those psalms. Any psalm that begins with weeping and ends with dashing children against rocks probably requires some explanation. | Up to this point, we've been looking at favorite, well-loved and well-known psalms that provide comfort and inspiration to our souls. Psalm 137 is not, at first glance, one of those psalms. Any psalm that begins with weeping and ends with dashing children against rocks probably requires some explanation. | ||
+ | |||
+ | This psalm is short enough (just nine verses) that we can actually go through it verse by verse. I hope that in the process, I can convince you that within the words of this psalm, there is indeed comfort, inspiration, and a deep poetic beauty. | ||
+ | |||
+ | So. To begin with, there's no preface at the beginning of this psalm, as we've seen with others. No dedication, no attribution, no instructions for singing. That's likely because this psalm was not connected at all with worship in the Jewish Temple, for reasons that become pretty apparent right in the first verse: By the rivers of Babylon, there we sat down and there we wept when we remembered Zion. | ||
+ | |||
+ | In the year 587 BCE, King Nebuchadnezzar II of Babylon invaded and completely destroyed the city of Jerusalem, killing most of its inhabitants, or else carrying them back to Babylon as slaves. | ||
+ | |||
+ | When Psalm 137 was composed, there was no longer a temple in Jerusalem. There was no longer any Jerusaelm, or Zion, at all, save only in the memories of the Jews in exile. And because of this, memory--the act of remembering--becomes critically important in Jewish culture (right down to the present day). | ||
+ | |||
+ | Verse two: On the willows there, we hung up our harps. The harp, or כִּנּוֹר (kinnor) was the instrument used for worship in the temple, and this (along with the next two verses) gives us a clue that the author of this psalm was probably one of the temple musicians. There's also a metaphorical aspect to this verse: The harp is a national symbol of Jerusalem, while the willow tree is a national symbol of Babylon. | ||
+ | |||
+ | |||
+ | *life of willow tree = approx 50 years. Length of babylonian captivity. |
Revision as of 17:29, 24 September 2016
Psalm 137
1 By the rivers of Babylon— there we sat down and there we wept when we remembered Zion. 2 On the willows there we hung up our harps. 3 For there our captors asked us for songs, and our tormentors asked for mirth, saying, “Sing us one of the songs of Zion!” 4 How could we sing the Lord’s song in a foreign land? 5 If I forget you, O Jerusalem, let my right hand wither! 6 Let my tongue cling to the roof of my mouth, if I do not remember you, if I do not set Jerusalem above my highest joy. 7 Remember, O Lord, against the Edomites the day of Jerusalem’s fall, how they said, “Tear it down! Tear it down! Down to its foundations!” 8 O daughter Babylon, you devastator! Happy shall they be who pay you back what you have done to us! 9 Happy shall they be who take your little ones and dash them against the rock!
Selah: Ancient Songs Our Souls Still Sing
Up to this point, we've been looking at favorite, well-loved and well-known psalms that provide comfort and inspiration to our souls. Psalm 137 is not, at first glance, one of those psalms. Any psalm that begins with weeping and ends with dashing children against rocks probably requires some explanation.
This psalm is short enough (just nine verses) that we can actually go through it verse by verse. I hope that in the process, I can convince you that within the words of this psalm, there is indeed comfort, inspiration, and a deep poetic beauty.
So. To begin with, there's no preface at the beginning of this psalm, as we've seen with others. No dedication, no attribution, no instructions for singing. That's likely because this psalm was not connected at all with worship in the Jewish Temple, for reasons that become pretty apparent right in the first verse: By the rivers of Babylon, there we sat down and there we wept when we remembered Zion.
In the year 587 BCE, King Nebuchadnezzar II of Babylon invaded and completely destroyed the city of Jerusalem, killing most of its inhabitants, or else carrying them back to Babylon as slaves.
When Psalm 137 was composed, there was no longer a temple in Jerusalem. There was no longer any Jerusaelm, or Zion, at all, save only in the memories of the Jews in exile. And because of this, memory--the act of remembering--becomes critically important in Jewish culture (right down to the present day).
Verse two: On the willows there, we hung up our harps. The harp, or כִּנּוֹר (kinnor) was the instrument used for worship in the temple, and this (along with the next two verses) gives us a clue that the author of this psalm was probably one of the temple musicians. There's also a metaphorical aspect to this verse: The harp is a national symbol of Jerusalem, while the willow tree is a national symbol of Babylon.
- life of willow tree = approx 50 years. Length of babylonian captivity.